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國立成功大學 三創課程 民國98年11月6日 圖案辨識 : 獨家創新力學說的理論基礎 Pattern Recognition : Theoretical Basis of Our Unique Creativity Theory 洪正幸 Felix T. Hong, M.D., Ph.D. Dept.

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Presentation on theme: "國立成功大學 三創課程 民國98年11月6日 圖案辨識 : 獨家創新力學說的理論基礎 Pattern Recognition : Theoretical Basis of Our Unique Creativity Theory 洪正幸 Felix T. Hong, M.D., Ph.D. Dept."— Presentation transcript:

1 國立成功大學 三創課程 民國98年11月6日 圖案辨識 : 獨家創新力學說的理論基礎 Pattern Recognition : Theoretical Basis of Our Unique Creativity Theory 洪正幸 Felix T. Hong, M.D., Ph.D. Dept of Physiology Wayne State University, Detroit, Michigan USA 國立成功大學三創中心 Creativity, Innovation and Entrepreneurship Center 701 National Cheng Kung University, Tainan , Taiwan

2 知與識 (知道與辨識) Knowing and Recognizing
「發現就是看到每個人都曾看過的,但是想到沒人想過的。」 “Discovery consists of seeing what everybody has seen and thinking what nobody has thought.” Albert Szent-Györgi

3 Henri Poincaré’s 1908 Introspection
French mathematician Henri Poincaré’s reported his introspection of mathematical discoveries. (Original French version, published in Paris, 1908) The Centennial Anniversary of the Publication of The Foundations of Science

4 Henri Poincaré’s 1908 Introspection
就在我離開我居住的Caen (法國北部),準備去參加一個由礦業學校主辦的地質學之旅的時候。 Just at this time I left Caen, where I was then living, to go on a geologic excursion under the auspices of the school of mines.

5 Henri Poincaré’s 1908 Introspection
參加旅行的心態轉變讓我暫時拋棄了我原本的數學研究。抵達Coutances後,我們上了巴士,要到別的地方去。 The changes of travel made me forget my mathematical work. Having reached Coutances, we entered an omnibus to go some place or other.

6 Henri Poincaré’s 1908 Introspection
就在我要踏上巴士的那一刻,突然靈機一動,產生一個跟我以前所做思考亳無關聯的奇想,就是Fuchsian functions 與non-Euclidean Geometry (非歐幾何)的transformation演算方法相同,而可以相互套用。 At the moment when I put my foot on the step the idea came to me, without anything in my former thoughts seeming to have paved the way for it, that the transformations I had used to define the Fuchsian functions were identical with those of non-Euclidean geometry.

7 Henri Poincaré’s 1908 Introspection
當我坐在巴士上時,因我已開始與人聊天,而沒有時間去驗證這個想法,但我覺得仍有相當的把握。在我返回Caen之後,為了讓自己心安,我隨即從容地驗證演算的結果確實無誤。 I did not verify the idea; I should not have had time, as, upon taking my seat in the omnibus, I went on with a conversation already commenced, but I felt a perfect certainty. On my return to Caen, for conscience’ sake I verified the result at my leisure.

8 Henri Poincaré’s 1908 Introspection
他談到闡明之前的蘊釀期中的 “持久而無意識的工作”。 He referred to the period of incubation prior to illumination as “long, unconscious prior work.”

9 Henri Poincaré’s 1908 Introspection
他也談到無意識的思考就像 “潛意識的自我”也有辨識能力 (也就是有洞察力)。 He also referred to the unconscious mind as the “subliminal self,” which was capable of “discernment” ([pattern] recognition).

10 Henri Poincaré’s 1908 Introspection
他懷疑潛意識的自我比意識清醒的自我更知道如何思考推測,因為它在意識清醒的自我失敗之處獲得成功。 He suspected that [the subliminal self] knows better how to divine than the conscious self, since it succeeds where that has failed.

11 Henri Poincaré’s 1908 Introspection
他提出一個問題: “潛意識的自我難到不比意識清醒的自我優秀嗎?” He raised the question: “is not the subliminal self superior to the conscious self?”

12 Wallas’ Four Phase Model
準備期 Preparation 醞釀期 Incubation 闡明期 Illumination (頓悟Eureka!) 驗證期 Verification

13 The Chance-Configuration Model of Dean Simonton
Blind Search 盲目搜尋 Selection 篩選 Retention 闡明保存

14 The Chance-Configuration Model of Dean Simonton
Blind Search 盲目搜尋 Selection 篩選 Retention 闡明保存 Random Mutation 隨機變異 Natural Selection 物競天擇 Reproduction 繁殖複製

15 解題有如圖案識別 Problem Solving as Pattern Recognition
題目 = Pattern = Lock (鎖) 可行的答案 = Templates = Keys (鑰匙) 解題 Problem solving = Pattern Recognition (圖案識別) 關鍵點: 有兩種圖案識別 In the course of my attempts to decipher the enigma of creativity, I realized that a problem can be regarded as a pattern, and problem solving is finding a template that can fit the pattern. The key to the answer: distinguishing two types of pattern recognition.

16 The Chance-Configuration Model of Dean Simonton
Search-and-Match Phase 搜尋與搭配階段 Verification-Retention Phase 驗證與保存階段

17 Defining the Search Space
Blind Search 盲目搜尋 Heuristic Search 啟發式搜尋 Dogmatism (self-imposed constraint) 教條主義(自我設限) Too large 太大 Acceptable 可接受 Too small 太小

18 What is So Special About Pattern Recognition?
Rule-based pattern recognition: keyword matching Objective criteria do not tolerable ambiguity or imprecision. Picture-based pattern recognition: matching by images matching by analogy Subjective criteria allow for an enormous latitude of ambiguity and imprecision.

19 兩種圖案識別 Two Types of Pattern Recognition
數位式圖案識別 Rule-based (digital) pattern recognition 類比式圖案識別 Picture-based (analog) pattern recognition

20 How Did Dumb High-Achiever at WSU Solve a Problem?
They recognized only pre-existing, well defined patterns. They got lost when patterns were distorted or did not fit any known ones. I called that rule-based reasoning 規則式思考 (also known as verbal thinking 語言式思考 in the literature). Dumb high-achievers practiced digital pattern recognition 數位式圖案識別.

21 How did geniuses solve a problem?
Geniuses transformed a problem into a picture, and looked at the entire picture as a whole (Gestalt psychology). Geniuses did not stick to rigid rules, and could recognize distorted patterns in accordance with their gut feeling. I called that picture-based reasoning 圖像式思考 (also known as visual thinking 視覺式思考in the literature). Geniuses practiced analog pattern recognition 類比式圖案識別.

22 兩種圖案識別:一、數位式圖案識別 Two Types of Pattern Recognition: 1
兩種圖案識別:一、數位式圖案識別 Two Types of Pattern Recognition: 1. Digital (Rule-Based) Pattern Recognition 關鍵字辨讖 文字類比、似是而非、牛頭對馬嘴 (不會舉一反三 ) 只有黑白之分、而無灰色鑑別 客觀的標準 不容許有誤差 Keyword matching Analogy by words Black-and-white dichotomy; no sense of grayscales Objective criteria; do not tolerable ambiguity. Fault-intolerant

23 數位式的圖案識別 Digital Pattern Recognition
Recognition of addresses (電子郵件地址) or telephone numbers (電話號碼) DNA typing (DNA 鑑定)

24 數位式的圖案識別 Digital Pattern Recognition

25 數位式的圖案識別 Digital Pattern Recognition

26 數位式的圖案識別 Digital Pattern Recognition

27 數位式的圖案識別 Digital Pattern Recognition

28 兩種圖案識別:二、類比式圖案識別 Two Types of Pattern Recognition: 2
兩種圖案識別:二、類比式圖案識別 Two Types of Pattern Recognition: 2. Analog (picture-Based) Pattern Recognition 圖案或圖形辨識 圖像類比 (會舉一反三 ) 灰色鑑別、五十步可以笑百步。 主觀的標準 容許有誤差 Matching by images Analogy by pictures Sense of grayscales Subjective criteria; allow for an enormous latitude of ambiguity and imprecision Fault-tolerant

29 類比式的圖案識別 Analog Pattern Recognition
Female figure 女人的胴體 From: P. B. Andersen, Genres as self-organizing systems, in Downward Causation edited by P. B. Andersen, C. Emmeche, N. O. Finnemann and P. V. Christiansen, Aarhus University Press, 2000.

30 類比式的圖案識別 Analog Pattern Recognition
Female figure 女人的胴體 From: P. B. Andersen, Genres as self-organizing systems, in Downward Causation edited by P. B. Andersen, C. Emmeche, N. O. Finnemann and P. V. Christiansen, Aarhus University Press, 2000.

31 類比式的圖案識別 Analog Pattern Recognition
Female figure 女人的胴體 From: P. B. Andersen, Genres as self-organizing systems, in Downward Causation edited by P. B. Andersen, C. Emmeche, N. O. Finnemann and P. V. Christiansen, Aarhus University Press, 2000.

32 類比式的圖案識別 Analog Pattern Recognition
Female figure 女人的胴體 From: P. B. Andersen, Genres as self-organizing systems, in Downward Causation edited by P. B. Andersen, C. Emmeche, N. O. Finnemann and P. V. Christiansen, Aarhus University Press, 2000.

33 類比式的圖案識別 Analog Pattern Recognition
Female figure 女人的胴體 From: P. B. Andersen, Genres as self-organizing systems, in Downward Causation edited by P. B. Andersen, C. Emmeche, N. O. Finnemann and P. V. Christiansen, Aarhus University Press, 2000.

34 類比式的圖案識別 Analog Pattern Recognition
? From: P. B. Andersen, Genres as self-organizing systems, in Downward Causation edited by P. B. Andersen, C. Emmeche, N. O. Finnemann and P. V. Christiansen, Aarhus University Press, 2000.

35 類比式的圖案識別 Analog Pattern Recognition
Man’s face 男人的臉孔 ? From: P. B. Andersen, Genres as self-organizing systems, in Downward Causation edited by P. B. Andersen, C. Emmeche, N. O. Finnemann and P. V. Christiansen, Aarhus University Press, 2000.

36 類比式的圖案識別 Analog Pattern Recognition
Man’s face 男人的臉孔 From: P. B. Andersen, Genres as self-organizing systems, in Downward Causation edited by P. B. Andersen, C. Emmeche, N. O. Finnemann and P. V. Christiansen, Aarhus University Press, 2000.

37 類比式的圖案識別 Analog Pattern Recognition
Man’s face 男人的臉孔 The interpretation is objective. From: P. B. Andersen, Genres as self-organizing systems, in Downward Causation edited by P. B. Andersen, C. Emmeche, N. O. Finnemann and P. V. Christiansen, Aarhus University Press, 2000.

38 類比式的圖案識別 Analog Pattern Recognition
Man’s face 男人的臉孔 The interpretation is still objective. From: P. B. Andersen, Genres as self-organizing systems, in Downward Causation edited by P. B. Andersen, C. Emmeche, N. O. Finnemann and P. V. Christiansen, Aarhus University Press, 2000.

39 類比式的圖案識別 Analog Pattern Recognition
Man’s face 男人的臉孔 The interpretation is somewhat objective. From: P. B. Andersen, Genres as self-organizing systems, in Downward Causation edited by P. B. Andersen, C. Emmeche, N. O. Finnemann and P. V. Christiansen, Aarhus University Press, 2000.

40 類比式的圖案識別 Analog Pattern Recognition
Man’s face 男人的臉孔 ? or Female figure 或女人的胴體 ? The choice is somewhat subjective. From: P. B. Andersen, Genres as self-organizing systems, in Downward Causation edited by P. B. Andersen, C. Emmeche, N. O. Finnemann and P. V. Christiansen, Aarhus University Press, 2000.

41 類比式的圖案識別 Analog Pattern Recognition
Man’s face 男人的臉孔 or Female figure 女人的胴體? The choice is less subjective. From: P. B. Andersen, Genres as self-organizing systems, in Downward Causation edited by P. B. Andersen, C. Emmeche, N. O. Finnemann and P. V. Christiansen, Aarhus University Press, 2000.

42 類比式的圖案識別 Analog Pattern Recognition
A gender change? The choice is much less subjective. From: P. B. Andersen, Genres as self-organizing systems, in Downward Causation edited by P. B. Andersen, C. Emmeche, N. O. Finnemann and P. V. Christiansen, Aarhus University Press, 2000.

43 類比式的圖案識別 Analog Pattern Recognition
Female figure 女人的胴體 The choice is somewhat objective. From: P. B. Andersen, Genres as self-organizing systems, in Downward Causation edited by P. B. Andersen, C. Emmeche, N. O. Finnemann and P. V. Christiansen, Aarhus University Press, 2000.

44 類比式的圖案識別 Analog Pattern Recognition
Female figure 女人的胴體 The choice is objective. From: P. B. Andersen, Genres as self-organizing systems, in Downward Causation edited by P. B. Andersen, C. Emmeche, N. O. Finnemann and P. V. Christiansen, Aarhus University Press, 2000.

45 分子辨識 Molecular Recognition
Molecular recognition is accomplished by matching a finite number of recognition sites.

46 分子辨識 Molecular Recognition
Molecular recognition is accomplished by matching a finite number of recognition sites.

47 分子辨識 Molecular Recognition
Molecular recognition is accomplished by matching a finite number of recognition sites.

48 分子辨識 Molecular Recognition
Molecular recognition is accomplished by matching a finite number of recognition sites.

49 Incompatibility of Sequential Algorithm and Pattern Recognition
Linear sequential reasoning vs. Gestalt (holistic) synthesis

50 Pattern Recognition as A Holistic (Parallel) Process
The portrait of American inventor Thomas A. Edison was constructed with a sequential array of product names from JAMECO’s catalogue. The alphabets, constituting the product names, vary in size, brightness and 3 colors. Edison appeared to stare in the left lower direction.

51 Pattern Recognition as A Holistic (Parallel) Process
At this level of magnification, the eyes, the nose and the mouth are still discernible. The effect of Edison’s gaze was primarily due to the large sizes of letters “O” and “IC,” portraying the right and the left pupils of Edison’s eyes.

52 Pattern Recognition as A Holistic (Parallel) Process
At this level of magnification, the “stare” can be identified with two product names: MOTHERBOARDS ROBOTICS. With prior knowledge, the eye sockets and the “stare” are still discernible.

53 Pattern Recognition as A Holistic (Parallel) Process
At the same level of magnification but with the additional “landmarks” clipped off, the “stare” is no longer discernible, even with prior knowledge of its existence.

54 Pattern Recognition as A Holistic (Parallel) Process
How about this?

55 Pattern Recognition as A Holistic (Parallel) Process
And this? (The gray scale was eliminated.)

56 並行處理 Parallel Processing

57 The Chance-Configuration Model of Dean Simonton
Search-and-Match Phase 搜尋與搭配階段 Verification-Retention Phase 驗證與保存階段

58 Interpretation of Henri Poincaré’ Remark
“... it is by logic that we prove. It is by intuition that we discover.” 「我們以直覺來發現 , 以邏輯來驗證。」 Henri Poincaré

59 Interpretation of Henri Poincaré’ Remark
“... it is by logic that we prove. It is by intuition that we discover.” 「我們以直覺來發現 , 以邏輯來驗證。」 Henri Poincaré Interpretation: Identify intuition with the search-and-match phase. Identify logic with the verification phase.

60 Practice of Dumb High-Achievers
“... it is by logic that we prove. It is by logic that we discover.” 「我們以邏輯來發現 , 以邏輯來驗證。」

61 Practice of Dumb High-Achievers
“... it is by logic that we prove. It is by logic that we discover.” 「我們以邏輯來發現 , 以邏輯來驗證。」 Interpretation: Identify logic with the search-and-match phase. Identify logic with the verification phase.

62 The Chance-Configuration Model of Dean Simonton
Search-and-Match Phase (搜尋與搭配階段) 獨創力高的人以直覺來搜尋與搭配。 獨創力低的人以邏輯來搜尋與搭配。 Verification-Retention Phase (驗證與保存階段) 獨創力高或低的人都以邏輯來驗證與保存。

63 幾個相關聯的概念 直覺 Intuition 靈感 Inspiration 領悟 Insight
佛洛依德的初級思考 Primary-Process Thinking 圖像式思考 Picture-based reasoning

64 幾個相關聯的概念 邏輯 Logic 佛洛依德的次級思考 Secondary-Process Thinking
規則式思考 Rule-based reasoning

65 Other Equivalent Models
Poincaré: intuitive and logical approaches Freud: primary-process and secondary-process thinking Kris: inspirational and elaborative phases Newell, Shaw and Simon: solution-generating and solution-verifying processes. Bastick: visual-ability and verbal-ability modes Boden: parallel-intuitive and sequential-deliberative thinking.

66 Robert Rosen’s Classification of Natural Processes
Unformalizable process Non-algorithmic process Semantic process Formalizable process Algorithmic process Syntactic process

67 Syntax 句法學 完全照字面詮釋。

68 Semantic 語意學 必須聽到弦外之音 由字裡行間來揣摩會意

69 Semantic 語意學 假若不是因為對美國總統這個職位的尊重,我就會說小布希是母狗養的。 我有沒有罵小布希是母狗養的?你說說看?
Were it not out of respect for the Office of the U.S.President, I would have called George W. Bush a son-of-a-bitch.

70 Semantic 語意學 為何說是母狗養的這麼難聽? 是母狗養的,就是小狗。很可愛呀! 但是英語系的人種稱呼妓女為母狗。
你還要我多作說明嗎?會意了嗎? Why a son-of-a-bitch is such a derogatory term? A son of a bitch is an offspring of a female dog. That is, a little puppy. But little puppy is adorable. But English-speaking people also call a prostitute a bitch.

71 Semantic 語意學 你說他是飯桶高材生,好歹他也有耶魯大學及哈佛大學的高學歷。 「搞不好」其實是搞得意外的好。
起碼(騎馬)要一百萬元才買得到。那騎牛呢? Tough Luck = Too bad Oh Ya? 真的嗎?

72 Computer-based Translation 電腦翻譯
Out of sight out of mind. 眼不見,心不煩。 Invisible idiot. 隱形(令人看不到)的白癡。 Out of sight = 看不到 Out of mind = 發瘋、發狂、瘋子、心靈失常 Idiot = 白癡

73 Computer-based Translation 電腦翻譯
美國的博士制度規定要修兩種外國語言。 電腦只會 syntax 而不會 semantic。 那位制定可以用電腦語言來取代一種外語的仁兄真是白癡。 因為他望字生義,他的思考方式是不折不扣的 飯桶高材生.

74 Word Replacement Game Solution-generating Intuitive Inspirational
Parallel-intuitive Visual Picture- (pattern-)based Non-formalizable Semantic process Non-verbalizable Primary process Solution-verifying Logical Elaborative Sequential-deliberative Verbal Rule-based Formalizable Syntatic process Verbalizable Secondary process

75 What Is Intuition? Psychologists’ Answer
「我們在研究領悟時,最需要的正是一些清新的領悟。」 “What we need most in the study of insight are some new insights!” R. J. Sternberg and J. E. Davidson Insight, in Encyclopedia of Creativity, Vol. 2, pp , (M. A. Runco and S. R. Pritzker, Eds.), Academic Press, San Diego, London, Boston, New York, Sydney, Tokyo and Toronto, 1999.

76 Obscenity Defined Implicitly
「當我看到時,就自然知道。」 “I know it when I see it!” Potter Stewart U.S. Supreme Court ex-associate justice

77 What Is Intuition? Psychologists’ Answer
「我們在研究領悟時,最需要的正是一些清新的領悟。」 “What we need most in the study of insight are some new insights!” 句法學:無內容 (No syntactic content) 語意學:有意義 (Only semantic content) Therefore, insight is a semantic process.

78 What Is Intuition? Carl Friedrich Gauss’ Description
  當高斯提到,如何解答一個長期困擾他的問題時,他說:「就像是一道閃電一般,答案突如其來地,就把問題自動解決。至於答案跟我本來就擁有的知識,有何關聯,連我一時也說不上來。」 In referring to a long-standing problem which he had just solved, Gauss said, “Like a sudden flash of lightning, the riddle happened to be solved. I myself cannot say what was the conducting thread which connected what I previously knew with what made my success possible.”

79 What Is Intuition? Nikola Tesla’s Description
「當我靈感湧上時,我的意念就像閃電一般地突如其來,真相立即大白。」 As I uttered these inspiring words the idea came like a flash of lightning and in an instant the truth was revealed.

80 What Is Intuition? Albert Einstein’s Description
他一開始的思考是視覺式的。文字或語言並不佔重要的地位。 在第二階段他則必須很費功天地去找尋適當的文字或符號以表達他的想法及成果。 His initial thought process is largely visual. The words or the language do not seem to play any role in his mechanism of thought. Conventional words or other signs have to be sought for laboriously only in a secondary stage.

81 What Is Gut Feeling? A 911 Survivor’s Introspection
在由世界貿易中心雙塔樓之一的七十二樓走下來,長達一小時的行程中,Cary Shieh 的電子郵件作如此的報導: 「當時在樓梯間完全看不到煙,但是嗅到一種奇怪的味道,有如在機場上飛機前的感覺。事後才知道那是噴氣機油。」

82 What Is Gut Feeling? A 911 Survivor’s Introspection
In his hour-long descent from the 72nd floor of one of the Twin Towers of the World Trade Center, Cary Shieh stated in an widely distributed “There was no smoke at all in the stairwell, but there was a strange peculiar smell, which I later remembered it smelling like how it does when one boards an aircraft. I later found out that this was jetfuel.”

83 What Is Intuition? It’s Parallel Processing
The mystery of insight, intuition, and what Sigmund Freud referred to as primary-process thinking can be elucidated by identifying these process with parallel processes. Parallel processes are difficult to articulate (verbalize) explicitly.

84 Advantages of Rule-Based Reasoning
Speed. Less effort and mental strain. Highly objective. Optimized for standardized tests and simple essay tests that require only regurgitation (e.g., simple definitions, or descriptions of processes).

85 Disadvantages of Rule-Based Reasoning
Handicapped at the search phase. Handicapped at the match phase. Possible misuse or abuse of rules at the verification phase. Incapable of generating new rules. Unsuitable for most essay tests that require reorganization of knowledge or novel arguments. Short retention time. Not conducive to creativity.

86 規則式的思考可能造成虛假的安全感 Rule-Based Reasoning Fosters A False Sense of Safety

87 A Dye Laser A dye laser with the chassis closed for normal operation (left). The chassis is opened to expose the capacitor and the flash lamp.

88 Dye Laser with a high-voltage condenser (capacitor)
The dye laser and its high-voltage (12,000 volts) capacitor (condenser). Normally, the stored electricity discharges, upon triggering, through the flash lamp to stimulate the dye to generate laser light.

89 Safety Interlock Unlatch the safety interlock allows electricity to be discharge through the resistor to the ground so the no lethal amount of electricity is present upon opening the chassis.

90 The Resistors in the Protective Circuitry
The resistors in the protective circuitry are occasionally burnt out, thus preventing the normal function of the safety interlock. 安全電路,形同虛設。

91 Rule-Based Reasoning Could Kill
If the resistors are blown, the safety interlock circuitry no longer protects the operator from the lethal high voltage. Rule-based reasoning failed to take into account the circumstance of malfunctioning of the protective circuitry when the resistors burnt out.

92 撤飛彈或銷毀飛彈? 視覺式思考讓我們看到,被撤的飛彈可以快速復位。撤飛彈造成虛假的安全感。 銷毀飛彈比較不容易作弊。

93 聖母峰的悲劇 Tragic Accident at Mt. Everest
規則式思考與圖像式思考的利弊,在Anatoli Boukreev與G. Weston DeWalt的書The Climb中被生動的描述。它是敘述1996年5月10日,發生在聖母峰的“Death Zone”的悲慘意外(pp ). The pros and cons of rule-based versus picture-based reasoning were vividly described in Anatoli Boukreev and G. Weston DeWalt's book The Climb, which chronicled the May 10, 1996, tragic accident in the “Death Zone” of Mt. Everest (pp ).

94 聖母峰的悲劇 Tragic Accident at Mt. Everest
There was a tragic mountaineering accident in the “Death Zone” of Mt. Everest on May 10, 1996. Rob Hall, the leader of Adventure Consultants: legalist philosophy “墨守成規者” Scott Fischer, the leader of Mountain Madness: situationist philosophy “情況論者”

95 聖母峰的悲劇 Tragic Accident at Mt. Everest
Rob Hall與Scott Fischer [高海跋登山旅遊] 的嚮導哲學的不同之處,是象徵冒險旅遊業的業者間永不間斷的辯論。對峙的陣營可大略分為 “情況論者” 及 “墨守成規者”。 The differences between [Rob] Hall's and [Scott] Fischer's philosophies of guiding [high-altitude mountaineering tours] were emblematic of an ongoing debate between practitioners in the adventure travel industry. The camps of belief can be roughly divided between the “situationalists” and the “legalists.”

96 聖母峰的悲劇 Tragic Accident at Mt. Everest
情況論者認為,在帶領一趟探險中,沒有一套系統的規則能夠充分地涵蓋到每一個可能發生的情況。而且他們認為某些情況之下,特殊的應變措施必須取代成規。 The situationalists argue that in leading a risky adventure no system of rules can adequately cover every situation that might arise, and they argue that rules on some occasions should be subordinated to unique demands that present themselves.

97 聖母峰的悲劇 Tragic Accident at Mt. Everest
墨守成規者則相信這些規則能夠大大的減少,做出錯誤決定的可能性。因而個人的靈活操作應該退居末座。 The legalist, believing that rules can substantially reduce the possibility of bad decisions being made, ask that personal freedom take a backseat.

98 聖母峰的悲劇 Tragic Accident at Mt. Everest
墨守成規哲學的批評者認定,墨守成規者之所以全面採取一個無所不能的、規則式的策略,而使個人獨立的行動縮到最低限度,乃是因為害怕個人獨立行動可能導致無法突顯業者曾有責任感的證據,而損壞名聲或引起訴訟。 Critics of the legalist philosophy argue that an omniscient, rule-based position that minimizes independent action is being promulgated largely out of fear of bad publicity or lawsuits that might result from a lack of demonstrable “responsibility.”

99 聖母峰的悲劇 Tragic Accident at Mt. Everest
這些批評家發現一個矛盾的怪異現象:一向標榜個人自由的價值及進取心的產業,居然會追求一個矮化這些價值的哲學。 These critics find it confoundingly odd that an industry that promotes the values of personal freedom and initiative would expound a philosophy that minimizes the pursuit of these very values.

100 What Is Intuition? “Aha!” Phenomenon
Suddenness of occurrence A snapping action tantamount to bursting into laughter or a sigh of relief Feeling of certainty before verification Complete ignorance of why and how it happens All these features point to parallel processing.

101 What Is Intuition? Our Present Interpretation
the ability to correctly prune off unproductive search paths from the search tree, while correctly preserving productive search paths that are not obvious, so as to arrive at an optimal search space (heuristic search 啟發式的搜尋). the uncanny ability to recognize a subtle match where average people fail. In brief, having a good intuition means being good at both searching and matching.

102 Re-interpretation of Freud’s Concept of the Unconscious
Segmentation of working memory into two regions: focal attention vs. peripheral attention Defocusing of selective attention expands the search space. The notion of the “edge” of attention

103 任何創新力理論都必須通過的三個試驗 Three Litmus Tests of Creativity Theories
解釋何謂「直覺」、「領悟(洞見)」、「靈感」。 解釋為何獨創者於重大發現之事後,仍是茫然不知自己是如何辦到的。 解釋何謂「頓悟」。 Explain what intuition, insight, or the source of inspiration is. Explain why the creator often had no awareness of how a discovery had been made, even after the fact. Explain why a discovery often occurred suddenly: Eureka! “Aha” phenomenon.

104 AI Interpretation of Simonton’s Model
Search-and-Match Phase (two options): Picture-based reasoning parallel processing with random access subjective judgment required Rule-based reasoning sequential processing with sequential access objective judgment required

105 AI Interpretation of Simonton’s Model
Verification phase (only one option): Strictly rule-based reasoning sequential processing strictly objective judgment required

106 有些博學之士為了自我捍衛所用的定義或解釋,並沒有導正問題。
Francis Bacon (培根): 新推理法 - 商場的寵兒 The New Organon, Idols of the Marketplace 因此,用字遣詞不當,出奇地阻礙理解。 有些博學之士為了自我捍衛所用的定義或解釋,並沒有導正問題。 文字郤直接的強力左右理解,使人全然混亂,導離正途,陷入漫無止境的爭論和無益的遐想之中。

107 因此,不好或不適切的文字選擇,會出奇的地阻礙理解。
Francis Bacon (培根): The New Organon 新的研究方法 Idols of the Marketplace 商業界的寵兒 因此,不好或不適切的文字選擇,會出奇的地阻礙理解。 有些博學衛道之士為了自我悍衛,常會利用定義或解釋來詮釋自己的理論。而忽略了事情的正確與否。 但是這類定義文字,顯然地會左右我們的思想,強迫我們接受他的定義,促使我們混淆事實,迫使人們踏入無止境且空泛的爭論之中,並陷入無益遐想的窘境。

108 Francis Bacon: The New Organon Idols of the Marketplace
And therefore the ill choice of words wonderfully obstructs the understanding. Nor do the definitions or explanations wherewith in some things learned men are wont to guard and defend themselves, by any means set the matter right. But words plainly force and overrule the understanding, and throw all into confusion, and lead men away into numberless empty controversies and idle fancies.

109 Joseph Heller’s Political Novel “Good as Gold” (1979)
總統助理 Ralph 告訴一位求職者:『我們的總統不喜歡「應聲虫」,他喜歡敢於堅持己見的人。而當最後決定已經達成之時,他則堅持獲得每一個人的支持。』

110 與一位化學教授的對話 我一思考,頭就會痛。 那你教書的時候也不作思考了? 我那裡不作思考!我只是沒去思考那個原理而己。

111 Hemispheric Lateralization: Novelty-Routinization Scheme
Left Cerebral Hemisphere: 左腦半球 說話及語言功能 Speech and language function 單線思考 Linear sequential thought 常規認知策略 Routinized cognitive strategies 循序性處理 Sequential processing

112 Hemispheric Lateralization: Novelty-Routinization Scheme
Right Cerebral Hemisphere: 右腦半球 非語言及視空的功能 Nonverbal and spatio-visual function 整體性通盤考慮、合成 Gestalt (holistic) synthesis 圖案辨識 Pattern recognition 探索創新心智策略 Exploratory and novel cognitive strategies 並行處理 Parallel processing

113 Right-Brain Movement Betty Edwards’ art education
Don Campbell’s music education

114 Harsh Words from a Mainstream Psychologist
L. J. Harris characterized the term “creativity” as one of those “vague words whose frequency of use lies in inverse proportion to the carefulness of use.” In plain English, she meant that, being amateurish, Hadamard was not qualified to identify creative elements or factors, whereas, experts, such as herself, knew better how to define creativity properly than non-expert outsiders, such as Hadamard the mathematician.

115 My Equally Harsh Rebuttal
Hadamard’s anecdotes and introspections of Poincaré and Einstein are more reliable than orthodox behavioral experiments that were carried out, according to the “book,” by someone who had never experienced a first-hand act of creativity.


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