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Introduction to Art Orientalism Medievalism Pre-Raphaelitism Realism
Materialism Ch16. 光線與色彩 威尼斯與義大利北部 十六世紀早期 Ch17. 新學識的傳播 日耳曼與尼德蘭 Ch18. 藝術的危機 Week 11 Introduction to Art
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Orientalism Portray the Near and middle East
Appealed to the assumptions, tastes, fantasies, politics, and prejudices of Western audiences Presented the Orient as backward and primitive The supposed opulence and extravagance of the Orient
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Orientalism Architecture Name: Women of algiers Author:
Eugene Delacroix Description: The painting is notable for its sexual connotations; it depicts Algerian concubines of a harem. It also depicts opium, which often accompanied paintings of prostitutes. In the 19th century, it was known for its sexual content and its Orientalism. The painting served as a source of inspiration to the later Impressionists, and a series of 15 paintings and numerous drawings by Pablo Picasso in 1954. Source:
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〈巧思島的屠殺〉 , 1824年,德拉克洛瓦
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〈土耳其浴場〉 , 1862年,安格爾
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Orientalism Architecture
Architecture Name: Chinese Tower Location: Englischer Garten, Munich, Germany Date: Description: Chinoiserie is the catch-all term for the fashion for Chinese themes in decoration in Western Europe, beginning in the late 17th century and peaking in waves, especially Rococo Chinoiserie, ca. 1740–1770.
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Orientalism Architecture
Architecture Name: Vorontsov’s Palace Location: Alupka, Ukraine Date: Description: Edward Blore's Alupka Palace (1828–46) was an early architectural imitation of the Victorian taste for Moorish Revival architecture
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Medievalism Against both neo-Classicism and Industrialization
Look back to the art and culture of the period Provide an escape route for artists’ imagination A vehicle for exploring contemporary social and political issues
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〈考費杜阿王與乞丐女〉 , 1884年,伯恩—瓊斯
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〈克勞迪歐與依莎貝拉〉 , 1850年,漢特
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Medievalism Painting Painting Name: Lamia Painter:
John William Waterhouse Date: 1905 Description: The Middle Ages in Romanticism: Pre-Raphaelite painting of a knight and a lady (Lamia by John William Waterhouse, 1905).
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Medievalism Painting Artist: Joseph von Führich Date: 1836
Description: In Jacob encountering Rachel with her father's herd, Joseph von Führich attempted to recapture the mood of Perugino and Raphael, 1836 (Österreichische Galerie, Vienna).
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Pre-Raphaelitism In the early 1850s
Paid attention to naturalistic detail Used vivid color Explored medieval and literary subject matter Founded by William Holman Hunt, John Everett Millais and Dante Gabriel Rossetti
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Pre-Raphaelite Rejected the Academic tradition
The 3 artists chose the name `Pre-Raphaelite’ because they wanted to return to what they considered to be the painterly and spiritual `purity’ of art prior to Raphael.
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Pre-Raphaelite Painting
Painting Name: Proserpine Artist: Dante Gabriel Rossetti Description: Proserpina (sometimes spelt Proserpine, Prosperine or Prosperina) is an ancient Roman goddess whose story is the basis of a myth of Springtime.
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Pre-Raphaelite Painting
Painting Name: Germ Artist: Holman Hunt Date: 1850 Description: Illustration by Holman Hunt of Thomas Woolner's poem "My Beautiful Lady", published in The Germ, 1850
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Pre-Raphaelite Painting
Painting Name: De Morgan Medea Artist: Evelyn De Morgan Description: Medea (Greek: Μήδεια, Mēdeia, South Caucasian მედეა, Medea) is a woman in Greek mythology. She was the daughter of King Aeëtes of Colchis,[1] niece of Circe, granddaughter of the sun god Helios, and later wife to the hero Jason, with whom she had two children: Mermeros and Pheres.
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Pre-Raphaelite Painting
Artist: John Everett Millais Date: 1850 Description: Christ In the House of His Parents, by John Everett Millais, 1850. In 1850 the Pre-Raphaelite Brotherhood became controversial after the exhibition of Millais's painting Christ In The House Of His Parents, considered to be blasphemous by many reviewers, notably Charles Dickens
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Realism Mid to late 19th century
Artist should represent the world as it is Strongest in France Gustave Courbet & Edouard Manet Freeing art from social conventions Exploring how society shapes people’s lives
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The Artist’s Studio, 1855, GUSTAVE COURBET
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Olympia, 1863, EDOUARD MANET
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The Floor Planers, 1875, GUSTAVE CAILLEBOTTE
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Title: Large Peasant, , Author: AIME-JULES DALOU Description: Aimé-Jules Dalou (31 December 1838, Paris – 15 April 1902) was a French sculptor, recognized as one of the most brilliant virtuosos of nineteenth-century France, admired for his perceptiveness, execution, and unpretentious realism.
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The Charge, 1902-3, ANDRE DEVAMBEZ
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Materialism Believe that a person’s moral, intellectual and emotional being is molded by his environment Rejected Idealism and Romanticism Claims that physical world shapes human identity, ideas and experiences Neo-Conceptualists are part of the materialist tradition
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Materialism Artist: Édouard Manet Date: 1863
Description: The painting's juxtaposition of fully-dressed men and a nude woman was controversial, as was its abbreviated, sketch-like handling— an innovation that distinguished Manet from Courbet. At the same time, Manet's composition reveals his study of the old masters, as the disposition of the main figures is derived from Marcantonio Raimondi's engraving of the Judgement of Paris (c. 1515) based on a drawing by Raphael.
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The Burial at Ornans, 1849-50, GUSTAVE COURBET
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Portrait of Mlle L. L., 1864, JAMES TISSOT
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Olympia, 1863, EDOUARD MANET
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Ch. 16 光線與色彩 威尼斯與義大利北部 十六世紀早期
威尼斯重要的建築師—桑索維諾 貝利尼的祭壇畫傳達溫暖氣氛 最出名的一位畫家提善 仰賴色彩去重組被他故意解散的一致性 義北部的小鎮帕爾瑪 訶瑞喬 「聖誕夜」新生聖嬰光芒四散
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貝利尼: 聖母與聖人
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提善: 聖母、聖人與培撒家屬群像
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訶瑞喬:聖誕夜
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Ch. 17 新學識的傳播 日耳曼與尼德蘭 十六世紀早期
義大利文藝復興的三項成就 透視法、解剖學、古代建築知識 新建築式樣的傳播 (阿爾卑斯山以北、法蘭西、英格蘭) 文藝復興式與歌德式的結合 藝術家 杜勒 新約啟示錄 大型木刻插畫 強烈情感與想像力
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Ch. 17 新學識的傳播 日耳曼與尼德蘭 十六世紀早期
杜勒—亞當與夏娃 格魯奈瓦德(尼哈德) — 基督被釘十字架、基督復活 克拉那訶—基督家族逃往埃及途中稍作憩息 阿爾多弗—風景畫 馬布茲—聖路加描繪聖母與聖子 波希—天堂與地獄
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Ch. 18 藝術的危機 歐洲十六世紀晚期 要畫出充滿意涵與智慧的圖 不再只是模仿前人 朱卡羅—臉型窗子 帕拉迪—維森撒的圓形別墅 賽里尼—金質餐桌用鹽瓶 創造比前代作品更有趣、不凡的狂想典型 帕米告阿尼諾—長頸的聖母像 波洛內—麥可里像
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Ch. 18 藝術的危機 歐洲十六世紀晚期 汀托雷多—聖馬可遺體的發掘、 聖喬治鬥龍 艾葛瑞柯—帕拉維希諾肖像、 揭開第五封印的情景 霍爾班—聖母與巴賽爾市長家屬的群像 摩爾爵士媳婦像 紹斯威爾爵士肖像 在倫敦的德國商人
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Ch. 18 藝術的危機 歐洲十六世紀晚期 希爾亞德—青年貴族小畫像 布魯格耳—畫家與顧客 鄉村婚宴圖 古庸—山林水澤女神,噴泉浮雕 卡洛—兩個義大利小丑
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Arthur Hughes – Pre Raphaelite Painter
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