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The Artistic Aesthetics of Movie
Introduction
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§ The Age of Mechanical Reproduction
Film became the focus.
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Film became the focus. It’s open to every one. Class divisions disappear in it. It’s open, classless, and free of CULT. Film has been financed. The notion of author’s copyright does not exist. The aesthetic analysis goes back into the context of culture, history, and other forms of social philosophy.
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§ How to “watch” film 1、 Film as commerce: Where did you watch movie?
电影商品观：票房 （购票－检票－入场－黑暗空间－白日梦－退场－替代补偿）
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§ How to “watch” film 2、 Film as culture：
The wind vane of national spirit 民族精神的风向标 (第五代－第六代，戏台－站台） The ID card of national culture 民族文化的身份证 (韩流影视，美国中产阶级文化价值，伊朗民族形象诉求） The output carrier of national value 民族价值的输出载体(Hollywood & B－ollywood ） (Bombay)
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§ How to “watch” film 3、 Film as art： Pure Film author film
（eg. Krzysztof Kieslowski） Comfort the sorrow in THIS world
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