Ch3. 色彩體系 色彩可分為: 有彩色。 無彩色。 特別色。 紅、橙、黃、綠、藍、靛、紫等色彩,稱之為有彩色, 無彩色是指白、灰、黑等。

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Ch3. 色彩體系 色彩可分為: 有彩色。 無彩色。 特別色。 紅、橙、黃、綠、藍、靛、紫等色彩,稱之為有彩色, 無彩色是指白、灰、黑等。 色彩的分類 色彩可分為: 有彩色。 無彩色。 特別色。 紅、橙、黃、綠、藍、靛、紫等色彩,稱之為有彩色, 無彩色是指白、灰、黑等。 有彩色皆具有色相、明度、彩度三要素,即色彩的三屬性

Ch3. 色彩體系 色彩可分為: 有彩色。 無彩色。 特別色。 紅、橙、黃、綠、藍、靛、紫等色彩,稱之為有彩色, 無彩色是指白、灰、黑等。 色彩的分類 色彩可分為: 有彩色。 無彩色。 特別色。 紅、橙、黃、綠、藍、靛、紫等色彩,稱之為有彩色, 無彩色是指白、灰、黑等。 有彩色皆具有色相、明度、彩度三要素,即色彩的三屬性

Ch3. 色彩體系 色彩三要素 認識和運用色彩時,首先必須有系統地去了解色彩的 性質;不論任何色彩,皆具有三個基本的性質,一般 稱為 「色彩三要素」 (或稱 「色彩三屬性」 ),即是 : 1. 色相 (Hue) 。 2. 明度 (Value) 。 3. 彩度 (Chroma) 。

96學年度 2018/4/20 Basic Colour Theory Colour theory encompasses a multitude of definitions, concepts and design applications - enough to fill several encyclopedias. However, there are three basic categories of colour theory that are logical and useful : The colour wheel, colour harmony, and the context of how colours are used. Colour theories create a logical structure for colour. For example, if we have an assortment of fruits and vegetables, we can organize them by colour and place them on a circle that shows the colours in relation to each other.

Primary Colors Colours that can not be created by mixing other colors) 96學年度 2018/4/20 Primary Colors Colours that can not be created by mixing other colors)

COLOUR HAS THREE DIMENSIONS OR QUALITIES: 96學年度 2018/4/20 COLOUR HAS THREE DIMENSIONS OR QUALITIES: Hue Value Intensity

The name given to a colour. 96學年度 2018/4/20 HUE The name given to a colour. RED YELLOW VIOLET

The lightness or darkness of a colour 96學年度 2018/4/20 VALUE The lightness or darkness of a colour

white to a colour so that it is lighter. 96學年度 2018/4/20 Made by adding white to a colour so that it is lighter. = + HUE WHITE TINT

Made by adding black to a colour so that it is darker. 96學年度 2018/4/20 SHADE Made by adding black to a colour so that it is darker. + = HUE BLACK SHADE

The brightness or dullness of a colour. 96學年度 2018/4/20 INTENSITY The brightness or dullness of a colour. FUSCHIA - HIGH INTENSITY OLIVE - LOW INTENSITY

Can be used with most colors 96學年度 2018/4/20 NEUTRALS (NOT REALLY COLORS) No color White All colors Black White + Black Gray Can be used with most colors Beige

A GUIDE TO STUDY HOW TO CHOOSE AND COMBINE COLORS COLOR WHEEL A GUIDE TO STUDY HOW TO CHOOSE AND COMBINE COLORS

PRIMARY HUES Pure and basic Cannot be made from any other colors RED YELLOW BLUE Pure and basic Cannot be made from any other colors All other colors are made from these Equal distance from each other on color wheel

SECONDARY COLORS + = + = + = Made by mixing equal amounts of 2 primary colors Found halfway between the primary hues on the wheel + ORANGE = + = GREEN + = VIOLET

INTERMEDIATE (TERTIARY) HUES Made by mixing equal amounts of adjoining primary and secondary colors.

THE COLOR WHEEL CAN BE DIVIDED INTO WARM AND COOL COLORS

WARM COLORS Appear hot like the sun or like fire Give feelings of gaiety, activity or cheerfulness Appear to advance-they make body look larger Can give a nervous impression if overdone

COOL COLORS Remind us of water or sky Give feelings of quietness or restfulness Appear to recede and make body look smaller Can be depressing if overdone

MONOCHROMATIC COLOR SCHEME This is a one-color plan that uses different tints, shades and intensities of the color BLUE

ANALOGOUS COLOR SCHEME This color scheme uses related, or neighboring colors on the color wheel with varying values and intensities of the colors.

COMPLEMENTARY COLOR SCHEME This color scheme uses opposite hues on the color wheel. These colors are across from each other on the wheel and have great contrast.

SPLIT-COMPLEMENTARY COLOR SCHEME This color scheme uses three colors, one color with the two colors on each side of its complement. VIOLET

TRIAD COLOR SCHEME This color scheme combines three colors equidistant on the color wheel and has a great deal of contrast.

ACCENTED NEUTRAL COLOR SCHEME This color scheme combines white, black, gray or sometimes beige with a bright color accent.

All colors are beautiful, depending on personal taste. If not used wisely or combined well, color can cause apparel to look too gaudy or very drab. Harmony results when hues, values and intensities are combined in a pleasing way.